One of the world's top ten museums grave of late, the Uffizi Museum in Florence, built in 1560-1580 years.
"Andrea Adony Portrait" (Portrait of Andrea stainless steel table legs Odoni), Lorenzo Rotorua (Lorenzo Lotto), as in 1527, is now the Windsor Royal Collection stainless steel table legs (Royal Collection, Windsor). At that time, if a person has demonstrated a profound knowledge of classical ideological terms, it will improve his social status. One way to visualize the show is, so people have been commissioned to create something inspired paintings, sculptures and buildings from the classical culture. Better display method is to expand the library stainless steel table legs or collection of ancient cultural relics. Rotorua Lorenzo (Lorenzo Lotto) drawing stainless steel table legs of the "Andrea Adony Portrait" (Portrait of Andrea Odoni), fairly representative description of the Renaissance "crowded": screen Oddo Nepalese right hand holding stainless steel table legs a small statue of "Diana of Ephesus" (Diana of Ephesus), behind three heck Rees (Hercules) stainless steel table legs sculpture, Rees left the heck are and Aetna (Antaeus) wrestling, behind a Venus in the bath, there in front of a Venus, a Roman emperor Hadrian (Hadrian) bust. However, people stainless steel table legs treat classical past attitude is extremely complex: how to say whether, after all these pagan gods, on the other hand, society has a deep understanding of Christianity ---- screen Adony left hand holding a tiny gold cross: Although he is very interested stainless steel table legs in the ancient sculptures, however, true faith is closer to his heart.
New and old
Renaissance (Renaissance) word meaning rebirth (rebirth), it is impossible to expect that all ideas are new. One of the driving forces behind the development, it is the growing knowledge of classical culture and ancient civilization of interest. stainless steel table legs Artists and architects to create something "old" and "new" idea or theme ---- both are accepted and adopted the continuation and development of classical ideas later. The surviving ruins of ancient Rome to become an artist and architect architectural study firsthand Vitruvius (Vitruvius) compiled the "Ten Books on Architecture" (Ten Books on Architecture) is a text-based sources, the importance of also growing. Residual sculpture is a huge number. But people do not know classical painting: until the 18th century did not find ancient paintings. stainless steel table legs Later, the "old" painting of the impact of the so-called, refers to the inspiration from the ancient ruins and ancient sculptures or, or, more broadly, inspired by the historical description of ancient texts.
In order to inject new art and the cultural vitality of the 15th-century Italian people trying to accept a similar habits and practices, catch up and surpass stainless steel table legs the achievements of their ancient ancestors. Some art "new" forms of the Renaissance, such as badges, small bronze bust of parts and so on, in fact, is already widely stainless steel table legs used in the ancient days of the art form popular again. Different cities, different look at their relationship with the classical past. The Byzantine stainless steel table legs Empire was the last piece of the site of the Roman Empire, Constantinople was the capital of the Venetian army sacked stainless steel table legs in 1204, the Duke of Venice received a "fourth quarter plus one half of the ruler of the Roman Empire." title: This is the feeling of Venetian inherited the remnants of ancient Rome, but also when they enter the feeling of the Renaissance.
Florentines and Venetians different, they proudly think Florence was originally a Roman city, but they also believe that this is the "new Athens Arno river" (New Athens on the Arno), that is, people are willing to share the ancient Florence Greece's cultural wealth and variety of complex stainless steel table legs disputes. The early 15th century, a clear claim to the ancient glory heritage, once great Roman city's successor, relatively unimportant. More importantly, the job title of the pope's past and present links: Pontifex Maximus means "the Pope" or "highest priest", which is when the pagan cult of the state, one of the Roman emperors granted title .
Attitude Conflict
Many famous people are very fond of classical studies to obtain a variety of historical and cultural knowledge, church conflict with this "progressive" idea (see box below) between stainless steel table legs the constant. stainless steel table legs However, not every member of the church have this attitude. Great collectors stainless steel table legs Pope Julius II (Pope Julius II) I'm a classical sculpture, he had commissioned Donato stainless steel table legs Bramante (Donato Bramante) built an octagonal courtyard, so you can watch the day his collection stainless steel table legs Eight door pass into the courtyard. However, the early 1520s, the famous stainless steel table legs Dutch Pope Pope Adrian VI (dour Dutch pope, Hadrian VI) closed all the doors, leaving only one door. Pope Adrian VI did not destroy these sculptures, but to use them as evidence of ancient people stoop to what extent. While these ideas conflict persists, interest in classical history, continues to grow, and often affects people's moral tendencies.
Therefore, Jupiter, king of the gods is their version of the Christian version of God, and his queen Juno (Juno) is heaven diva Mary. With allegorical myth itself can be described Christian ideals, such as on Jupiter (Jupiter) grabs Ganymede stainless steel table legs (Ganymede) makes interpretation more or less the kind of incredible. But one thing is incontrovertible fact: from a moral point of view, the fall of the Roman Empire did. Revealed in "Andrea stainless steel table legs Adony portrait" in a message: All the pagan goddess sculptures are broken, creating these sculptures civilization disappeared, only the kingdom of God is eternal.
This idea, often by some Christian artistic image shown, for example, Andrea Del Committee Luo Jiao (Andrea del Verrocchio) of a student drawing of the "Mary stainless steel table legs and child" (Madonna and Child). Although we know that Jesus was born in the stable, the Bible does not explain the specific location. Screen this story is not to describe the ancient ruins: These buildings have significant symbolic meaning. Destroy buildings picture bears a lot of different inner meaning. Augustine (Augustine) in his book "City of God" (De Civitate Dei), a perfect contrast to the decline of the city of God and the Roman Empire: the ruins of the performance decline of classical civilization, followed by a Christian of the real world progressive growth. Jesus' own words prove this point: "Do not think I want to come to abolish the law or the prophets: I am not come to abolish, but to fulfill." "Matthew" (Matthew 5.17). He called to fulfill "the Law of Moses" (Law of Moses) is to change its direction, the ruins of the screen represents "the old trend" (Old Dispensation), Jesus represents the new trend. The image of the old pagan temple worship is generally representative of the birth of Jesus to replace them. The last one proved also from Jesus. When people asked him what miracles can be displayed when Jesus replied: "demolished this temple, and in three days I will build it up." "John" (John 2.19) ---- proof of this, it is Jesus The physical death and resurrection. stainless steel table legs This painting, the ruins of the temple also implies stainless steel table legs that Jesus death and resurrection of Jesus the future due to the attention of the whole world triumph.
Perspective
The mid-1430s, Alberti (Alberti) stainless steel table legs in "Painting On" stainless steel table legs (Della Pittura) for the first time discussed the painting techniques of vanishing stainless steel table legs point perspective. stainless steel table legs In a second set of Florence Baptistery doors, known as the "Heaven's Gate" (Gates of Paradise) relief group, Ghiberti (Ghiberti) in which the "Story of Isaac" (Story of Isaac) in the use of Such skills. A prominent position on a small step to the left of relief, an image of Isaac stood with his son Esau (Esau) conversation. Another image in relief of Isaac sat on the right, is being twin brothers Esau brother Jacob (Jacob) stainless steel table legs deception, pray for Jacob. Ghiberti's perspective using his skill to master skills in other spaces stainless steel table legs this relief describes other episodes of this story. We do not know the relief of casting time, we only know that this door was cast in 1425, 1452 ---- install up to this time period, it was edited by Alberti "painting theory" period, may Gibel pedicle and Alberti stainless steel table legs had discussed perspective, they may also be the first to develop both skills perspective Brunelleschi (Brunelleschi) studied perspective. For 比吉贝尔蒂 relief and Alberti's treatise can see the two of them share the extent of this technique, Alberti wrote: "Whenever I draw any pictures, stainless steel table legs I first draw a right angle quadrilateral (ie rectangle ), size according to my needs, I think I watched this rectangle stainless steel table legs regarded paintings depict windows. Then, I'm sure my painting in the size of those figures. I put a character length is divided into three sections. These three part is I measure the size of the ratio, called a braccio. Referring to these braccio, I put this rectangle stainless steel table legs baseline (base line) is subdivided into small areas to accommodate these body parts, such as fine dividing some. "
Then, Alberti described further positioning stainless steel table legs approach, which is now known as the vanishing point (vanishing point), that is the center (centric stainless steel table legs point), because in the visual range, it is starting from this position, a center-rays directly into the viewer's eye:.. "Then, in the rectangle in ...... I set the starting point of a central ray of this point is called the center point of this position stainless steel table legs should be appropriate, measured from the bottom of the rectangle, not higher than I want rectangle the height of the bottom to start drawing figures. As a result, the viewer and draw the object he saw will appear in the same plane. I draw some line from the center point, these lines have been extended to a rectangle divided Those baseline. "figure can be seen, Ghiberti once again to do so. Vanishing Point with Isaac's eye level, a slash on the floor called orthogonal lines (orthogonal): These lines are orthogonal stainless steel table legs vanishing point connection with the dividing point between the baseline. The previous horizontal line image parallel those called transverse line (transversal). Alberti said that the way to reach a lot of these, his description is only one way: you can supposedly you standing, looking down from the surface tiled floor painting, sight penetrate the surface, as if you These transverse lines drawn. You can also imaginary, stainless steel table legs you draw the lines in front of the screen. Tips Ghiberti take slightly different: the imaginary in a close viewing distance, height Isaac his eye level, draw a diagonal line from the edge of the relief to the baseline stainless steel table legs of the split point, making the cross-section of the line and perpendicular lines through each other.
Illustration: In the main
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